Category Archives: Definitions

Portfolio Blog Post 1: Audience and Content Relationship

Public history is a heavily contested practice in the history profession, mostly on what the practice truly is. According to John Dichtl and Robert B. Townsend, in their article “A Picture of Public History: Preliminary Results from the 2008 Survey of Public History Professionals” (2009), state, “Public history is one of the least understood areas of professional practice in history because the majority of public history jobs are outside of academia . . . One of the most significant challenges for public history as a field is ambiguity about the definition of the term.” (Dichtl and Townsend). Historians have had difficulty understanding the purposes of public history. While there are debates about the practice, one aspect remains true: the combined effort of historians and the public. In his article, “Whose Public? What is the Goal of a Public Historian?” (1981), Ronald J. Grele states, “But such work has always combined a commitment to one’s own research and a commitment to helping people do their own history, to involve themselves in their pasts, to increase their historical consciousness.” (Grele, 47). Historians work with the public to create projects that fit their needs. Public history projects following this model have implemented cooperation in different ways.

            Understanding the public and shared authority are some of the main goals of historians working in public history. Serge Noiret, in his article “Sharing a Public Historian’s Authority within Communities” (2022), explains, “A long time practitioner of these shared authority practices in community projects in the UK, Paul Ward, tells us that ‘community research […], consistently seeks to sustain our community, revitalize and return our people back to their culture and language.’” (Noiret, 51). Historians should research the public to understand the community’s needs better and create better projects. One of the ways to do this is to interview people. According to Erika Hall, in her guide to “Interviewing Humans” (2013), “The goal of interviewing users is to learn about everything that might influence how the users might use what you’re creating.” (Hall). Different projects have implemented this strategy to help create and design to fit users’ needs better. One such project is the “Building Histories of the National Mall” (2015). The project creators used interviews to gauge what users wanted from the website, stating, “These findings guided the development and refinement of the Explorations section, and also guided the content team on where to focus research and writing time.” (Brennan and Leon, 25). Interviews are one way that historians can create projects with shared authority. Personas are also a way historians gauge users’ needs. Shlomo Goltz, in his article “A Closer Look at Personas: What They Are and How They Work” (2014), explains, “A persona is a way to model, summarize and communicate research about people who have been observed or researched in some way . . . Personas aid designers to create different designs for different kinds of people and to design for a specific somebody, rather than a generic everybody.” (Goltz). Historians use personas to help fit all potential users’ needs and understand the community. Both interviews and personas help historians and the public work together in a shared authority to create projects that fit the community’s needs.

(Re)Defining Digital Humanities

Through this course, my definition of Digital Humanities has changed significantly. Looking back at my original definition, it seems plain, almost like a basic textbook definition of the topic. There is so much that I would change in the original. One of the first things I noticed while reading through it was that I note digital tools without giving examples. In my new definition, I detail a few of the tools I learned in the course and how they are used in Digital Humanities. For instance, I would mention the text-mining tool Voyant and how historians use it to find trends and patterns within their source material. I would also include how historians have used digital analysis and research. One example would be crowdsourcing projects that encourage people to volunteer to help transcribe documents into a digital archive or podcasts that involve people in a historical story.

I would keep the original definition but tweak it slightly. My original definition was, “Digital Humanities is a field of study in which different disciplines work to analyze, archive, and preserve historical material in the digital medium.” While I still believe that to be true, I would add to it. I would include, along with different disciplines, that historians involve the public in projects and have similarities and connections to public history. I would also include using various tools to analyze, archive, and preserve in different projects. I still believe that my original definition holds. However, my view of Digital Humanities has broadened to see that there is much to offer in the field.

A Definition of Digital Humanities

Digital Humanities is a field of study in which different disciplines work to analyze, archive, and preserve historical material in the digital medium.  

There are many different reasons why I came to the definition I came up with. Digital Humanities, for one, crosses a vast amount of different disciplines in the field of history. Professors might work with archivists on a research project he or she is working on. A student might turn towards a librarian to find a book they are looking for. Along with the collaboration across different disciplines, there is also the use of the digital during that collaboration. Matthew G. Kirschenbaum explains, “The digital humanities, also known as humanities computing, is a field of study, research, teaching, and invention concerned with the intersection of computing and the disciplines of the humanities.”1 This joining of the different disciplines and the digital medium is why I chose to include it in my definition.

The second part of my definition includes analyzing, archiving, and preserving historical material in the digital medium. Each one of these three activities are important in the realm of Digital Humanities. With the use of digital tools, new ways of analyzing open up new ways of looking at different materials. Those same materials can now also be archived differently thanks to Digital Humanities. The collecting, scanning, and cataloging of these materials makes them easily accessible. Not only that, but the preservation of these materials is achievable since digital items are much harder to destroy than physical.  

  1. Matthew G. Kirschenbaum, “What is Digital Humanities and What’s it Doing in English Departments?”. ADE Bulletin 150 (2010): 2, originally published in “Digital Humanities,” Wikipedia.